OK, confession time.
I'm not very good at getting up early. You can't persuade me to actually go to bed in the early hours, but by the same token, you can't get me up very easily either. Which is a pity, because look at this dawn light. All this spectacular light is just out there waiting for those crazy enough to get up that early. Which is usually other people. I took this shot at dawn on my third day in the strange and wonderful city of Istanbul, which meant getting up quite a bit earlier, wandering up to the newly found tram station, buying a tram token (called a jeton in Turkey) from the awesomely named Jeton-matik machine, remembering which direction the tram travels in and which station to get off, all while lugging my camera bag and tripod, and all before dawn. It was only the thought of breakfast and strong Turkish coffee that kept me going. But totally worth it!
This shot was taken from the Galata Bridge, where the Golden Horn meets the Bosphorus. This area is crazy with commuter ferries in the day, but was quite calm at this time. That's the Bosphorus Bridge in the background, which connects Europe with Asia. And that's Istanbul, one foot in Europe and one in Asia, one in the Roman Empire and one on some other planet entirely. It's an amazing place, and in some other life I'd be moving there. Or maybe this one, some day?
Before and After
I think this Before and After is really cool. All those crazy colours you see in the final version? They're all there in the before version, I haven't added any colours, but you can see that they do look a little pasty. The camera is seeing all the stuff that's there, but it's not doing a very good job of capturing it well. By taking a range of several bracketed exposures I have a sequence of images where each part of the scene is captured with optimal exposure in one of the images, capturing the light and colour as it should be, but just for that small portion of the image. Then all that remains, and this is the fun part, is to get the best parts from each image, combine them into one master image, and then amp the hell out of the colours and detail!
Don't even think of shooting in JPEG if you want to do this, you need to shoot in RAW. RAW files store just ridiculously more data and colour information than the equivalent JPEG would. Then multiply that amount of data by the number of bracketed shots you are combining in your HDR, and you get the vast amounts of recorded data for the scene that allows you to pull the best exposure and colour from every part of the image.
What I also like about this is that you can see the stunning things HDR can do with water, skies and reflections. The natural reflections in the water are turned really punchy, and the blown out detail in the sky is brought back. Those are the kind of things that can make an HDR image jump up, slap you in the face, and make you go 'woah!'